Festival

Michele Selvaggi While their blood ran down the bark like resin, for tenor saxophone and 4 Feedback Sheets (2024, world premiere)

Alexander Prill saxophone | Michele Selvaggi electronics

 

Changjin Ha Sandfly on a sleepy wooden doll (2024)

Héctor Sobrino Bazaga soprano saxophone | Gunagcong Chen alto saxophone | Marina Madini alto saxophone | María Luisa Cuenca Arráez tenor saxophone | Juan Alonso Moreda bariton saxophone

Marcus Weiss conductor

 

Emil Nilsson Possible movement (2024, Austrian premiere)

Christoven Tan viola | Pedro do Carmo cello

 

Luca Staffiere Waitamminet (2024, world premiere)

Juan Alonso Moreda tenor saxophone 

 

Changjin Ha Two Ice Stars, Blue Echo Slide: Croquis de Courbe II (2024, world premiere of the version for violin duet)

Sara Mazzarotto violin | Giovanna Sevi violin

 

Gaia Aloisi from: Wallada (2022): III. el hexágono (ca. 1'30''), IV. de Júpiter estás enamorado (2022)

Lisa Newill-Smith soprano | María Luisa Cuenca Arráez saxophones

 

Georges Aperghis Strasbourg Instantanés I & II (2007)
Martina Copello piano

 

Galina Ustvolskaya Sonata no. 6 (1988)
Anika Ariana Hernández Vera piano
 

Katherine Norman Fuga Interna (begin), for piano and playback (2011)
Natalia Górecka piano

 

Rebecca Saunders Shadow (2013)
Rodrigo Roces piano

The impuls Academy does not only offer coaching for musicians and composers, but also strives to connect them through various Calls for Scores, such as „Viola Combined“, „Violin Duets“ or „Calls for Saxophone“, coached by Dimitrios Polisoidis, Ernst Kovacic respectively Marcus Weiss. A variety of pieces, many of them being Austrian or even world premieres, and a variety of instrumentations show the results of intense work and exchange at the impuls Academy. Some more results of Nicolas Hodges´ piano class add up to tonight´s program.