February 10th, 2019 19.30 Helmut List Halle Waagner-Biro-Straße 98a 8020 Graz |
Chromatic Aberrations - impuls Opening Concert
Ensemble Schallfeld | Lars Mlekusch conductor Alessandro Baticci flute Teresa Doblinger clarinet
Jorge Sánchez-Chiong (JSX), turntables, electronics Davide Gagliardi sound, electronics
Alberto Posadas Tres pinturas imaginarias, 2014 Agata Zubel The Streets of a Human City, 2011 Simon Steen-Andersen Chambered Music, 2007 Jorge Sánchez-Chiong Scans of Lucid, 2019, world premiere Fausto Romitelli Professor Bad Trip: Lesson 1, 1998
For the opening of impuls, Ensemble Schallfeld presents a colourful snapshot of contemporary composing, celebrating interconnections between painting, visual art and music. „Chromatic aberrations” are subtle coloured flares and blurs that appear in a photograph if the lens does not focus the light precisely in one point. When we listen to music, the images appearing in our minds are also often blurry, mysterious, fluid. For this program, Schallfeld chose five composers that work with inspirations from painting and visual art. Simon Steen-Andersen is known for his precise composing in the audiovisual field. In Chambered Music, both the sonic, performative and visual potentials of a „chamber” are explored. In three imaginary paintings (Tres pinturas imaginarias), Spanish composer Alberto Posadas tries to achieve a style transfer, transforming painterly techniques taken from Renaissance and modern painting into sonic forms. More reality-bound and with a witty sense of humour appears Agata Zubel’s The Streets of a Human City that got praised at its premiere to be a contemporary „symphonic poem” portraying an urban landscape. Vienna-based composer-DJ-turntablist Jorge Sánchez-Chiong presents a new work called Scans of Lucid, using the full colour palette of his diverse musical styles ranging from free improvisation to electronic techno. The closure of the evening marks the iconic Professor Bad Trip: Lesson 1 by Fausto Romitelli. Romitelli’s music is not only a psychedelic trip across endlessly warping electronic sounds and loops, but is also deeply inspired by the composer’s study of fine art. (Margarethe Maierhofer-Lischka)
admission: € 16.- / € 11.- (reduced) € 6.- (music students with identity-card at the box-office) Thanks to AVL Cultural Foundation for the kind support Co-funded by the Creative Europe Programme of the European Union |