Identity and Self-Branding. Self-presentation for artists

Workshop with Helge Hinteregger and Philip Röggla

Being an artist means not just selling the art but the artist behind it. Even avoiding the "show" can  evoke images beyond the purely musical. Stereotypes can interfere with the arts message. However by challenging the audiences expectations in a musical and a social way the arts message can be brought to a new level. This is not only a challenging task for the professional musician but for the private person behind the artist as well.

free admission | in English

impuls in cooperation with mica - music austria

Salon

music . talk . exchange

Sofia Gubaidulina Cadenza, 2003/2011

Maria Mogas Gensana: accordion

José Maria Sánchez-Verdú Arquitecturas del silencio, 2004

Mirko Jevtovic: accordion

Ivan Trenev Improvisation, 2017

Ivan Trenev: accordion

Rebecca Saunders Of Waters Making Moan, 2013

Ghenadie Rotari: accordion

Sampo Haapamäki Power, 2001

Matti Pulkki: accordion

free admission

Boon and Bane of Music Publishers

Discussion with Sarah Laila Standke (Universal Edition) | Pierluigi Billone (Composer) | Margarethe Maierhofer-Lischka (Schallfeld Ensemble)

Antje Müller (Ernst Krenek Instititut) moderation

In 1962 Ernst Krenek wrote in his article „Verlegen, verlegt verlogen“ (a play on words with „verlegen“ - to publish and „verlogen“ - lying) about „a composer's experiences with his publishers“. Krenek’s own experiences were numerous, and his oeuvre is still scattered around about 20 different publishers in different countries. What are the composers’ expectations? And what are the publishers’ obligations and possibilities? Does a composer actually need a publisher? Publishers, composers and presenters will discuss these questions, which seem to be more up-to-date than ever.

free admission | in English

impuls in cooperation with the Ernst Krenek Institute